Global Digital Broadcast and Cinematography Cameras Market 2016-2020

Published: June 2016
No. of Pages: 59

Price

Digital broadcast and cinematography cameras refer to the professional cameras that have special lenses of different focal lengths and high-density sensors to capture high-quality motion pictures. These cameras are operated by trained professionals such as broadcasters and cinematographers. Digital broadcast and cinematography cameras are broadly classified into three major categories: ENG cameras, cinema cameras, and EFP cameras. Each of them is used for different purposes. For instance, EFP cameras are preferred by production houses for recording short films, live shows, and sporting events as these cameras are equipped with supportive gears and the person handling the camera has time to set up the entire unit. ENG cameras are used by news broadcasters as these cameras have a minimal setup time.

The analysts forecast global digital broadcast and cinematography cameras market to grow at a CAGR of 1.23% during the period 2016-2020.

Covered in this report

This report covers the present scenario and the growth prospects of the global digital broadcast and cinematography cameras market for 2016-2020. prospects of the global digital broadcast and cinematography cameras market for 2016-2020. To calculate the market size, the report considers the revenue generated from the sales of broadcast and cinematography cameras, which include the following types of cameras:

ENG cameras
Cinema cameras
Electronic field production (EFP) cameras

The market is divided into the following segments based on geography:

Americas
APAC
EMEA

The report, Global Digital Broadcast and Cinematography Cameras Market 2016-2020, has been prepared based on an in-depth market analysis with inputs from industry experts. This report covers the market landscape and its growth prospects over the coming years. The report also includes a discussion of the key vendors operating in this market.

Key vendors

ARRI
Blackmagic Design
Panasonic
Red
Sony

Other prominent vendors

Aaton Digital
AbelCine
Canon
CineForm
Grass Valley
Hitachi
Inonoskop
IMAX
JVC
Moviecam
Nikon
Panavision
Silicon Image
Teledyne DALSA
Vision Research

Market driver

Increase in number of sporting events
For a full, detailed list, view our report

Market challenge

Long replacement cycles
For a full, detailed list, view our report

Market trend

Shift in demand from developed nations to developing nations
For a full, detailed list, view our report

Key questions answered in this report

What will the market size be in 2020 and what will the growth rate be?
What are the key market trends?
What is driving this market?
What are the challenges to market growth?
Who are the key vendors in this market space?
What are the market opportunities and threats faced by the key vendors?
What are the strengths and weaknesses of the key vendors?

Global Digital Broadcast and Cinematography Cameras Market 2016-2020

Table of Contents

PART 01: Executive summary
Highlights

PART 02: Scope of the report
Market overview
End-user segment
Base year
Vendor segmentation
Summation errors
Top-vendor offerings

PART 03: Market research methodology
Research methodology
Economic indicators

PART 04: Introduction
Key market highlights

PART 05: Market description
Digital broadcast and cinematography cameras by type

PART 06: Market landscape
Market overview
Product life cycle
Market size and forecast
Five forces model

PART 07: Market segmentation by product
Market segmentation by product
Global ENG cameras market
Global cinema cameras market
Global EFP cameras market

PART 08: Buying criteria
Buying criteria for digital broadcast and cinematography cameras

PART 09: Geographical segmentation
Global digital broadcast and cinematography cameras market by geography
Digital broadcast and cinematography market in Americas
Digital broadcast and cinematography market in EMEA
Digital broadcast and cinematography market in APAC

PART 10: Market attractiveness
Market attractiveness by product
Market attractiveness by geography

PART 11: Key leading country
US

PART 12: Key market drivers
Growth in film entertainment market
Increase in number of sporting events
Rise in popularity of live performances and concerts
Use of 2K and 4K cameras in digital movies
Increase in subscription of HD channels
Rise in popularity of 3D movies
Increased number of news broadcasters and production houses

PART 13: Impact of drivers

PART 14: Key market challenges
Decline in cost of cameras
Long replacement cycle of cameras
Camera rental marketplace
Need to differentiate product offerings
High similarity across product segments

PART 15: Impact of drivers and challenges

PART 16: Key market trends
Shift in demand from developed nations to developing nations
Emergence of high-end cameras
Rise in consumer expectations
Increase in popularity of online retail
Increased use of 3D cameras
Increase in popularity of IMAX cinema format

PART 17: Vendor landscape
Competitive scenario
Key leading vendors
Key highlights of leading vendors
Other prominent vendors

PART 18: Appendix
List of abbreviations

List of Exhibits

Exhibit 01: Product offerings
Exhibit 02: Classification of digital broadcast and cinematography cameras by type
Exhibit 03: Overview of global digital broadcast and cinematography camera market
Exhibit 04: Product life cycle of digital broadcast and cinematography cameras
Exhibit 05: Product life cycle of digital broadcast and cinematography cameras in 2015
Exhibit 06: Global digital broadcast and cinematography cameras market 2015-2020 ($ millions)
Exhibit 07: Five forces model
Exhibit 08: Global digital broadcast and cinematography cameras market by type 2015 (% share)
Exhibit 09: Global digital broadcast and cinematography cameras market by type 2020 (% share)
Exhibit 10: Revenue comparison of global digital broadcast and cinematography camera market by type 2015-2020 ($ millions)
Exhibit 11: CAGR comparison of different types of global digital broadcast and cinematography camera market 2016-2020
Exhibit 12: Global ENG cameras market 2015-2020 ($ millions)
Exhibit 13: Global cinema cameras market 2015-2020 ($ millions)
Exhibit 14: Global EFP cameras market 2015-2020 ($ millions)
Exhibit 15: Buying criteria for digital broadcast and cinematography cameras
Exhibit 16: Global digital broadcast and cinematography cameras market by geography 2015 (% share)
Exhibit 17: Global digital broadcast and cinematography cameras market by geography 2020 (% share)
Exhibit 18: Revenue comparison of global digital broadcast and cinematography camera market by geography 2015-2020 ($ millions)
Exhibit 19: CAGR comparison of global digital broadcast and cinematography camera market by geography 2016-2020
Exhibit 20: Digital broadcast and cinematography market in Americas 2015-2020 ($ millions)
Exhibit 21: Digital broadcast and cinematography market in EMEA 2015-2020 ($ millions)
Exhibit 22: Digital broadcast and cinematography market in APAC 2015-2020 ($ millions)
Exhibit 23: Market attractiveness by product
Exhibit 24: Market attractiveness by geography
Exhibit 25: Impact of drivers
Exhibit 26: Impact of drivers and challenges
Exhibit 27: ARRI: Digital broadcast and cinematography camera segmentation
Exhibit 28: Blackmagic Design: Digital broadcast and cinematography camera segmentation
Exhibit 29: Panasonic: Digital broadcast and cinematography camera segmentation
Exhibit 30: Red: Digital broadcast and cinematography camera segmentation
Exhibit 31: Sony: Digital broadcast and cinematography camera segmentation
Exhibit 32: Key highlights of leading vendors
Exhibit 33: Other prominent vendors

Published By: Technavio
Product Code: Infiniti Research Limited12079

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